MUSLIVE <b>Performance Workshop One </b>'Foundations' (February, 2024): 3. Methodology and sample of research questions; draft 'song CVs'

This is the <b>third</b> of three items relating to the first MUSLIVE Performance Workshop, hosted in the Music Department at King’s College London, February 19-21^st, 2024, culminating in a recording session on February 22^nd, 2024. The theme of the workshop was ‘Foundations’.This contains a sample of the research materials and methodology underpinning the first MUSLIVE performance workshop, hosted at KCL in February 2024. The materials were designed by Emma Dillon (PI MUSLIVE) based on her research into trouvère song.This folder includes a sample of the instructions and questionnaires for the song teams for the Performance Workshop, intended to help all develop a foundational practice while also focusing attention on research questions pertaining to the practice of making and performing trouvère songs. It also includes a sample of a song ‘CVs’ provided for each song to the scholars involved in the workshop, each containing detailed information about the sources, attribution, versification and thematic content of individual songs. The Song CVs were developed by Emma Dillon prior to the start of MUSLIVEs and refined and tested during the months leading up to the workshop. They also form the prototype of categories of the project’s song database, also in development during this phase of work. These materials were pre-circulated to members of the workshop.Additional items that were pre-circulated but <b>not</b> included here were:*spoken recordings prepared for the singers of song texts, by Emma Dillon, Sean Curran, Mary Franklin-Brown and Yolanda Plumley.*’Top Tips’ summary sheet and guidelines for pronunciation provided with assistance from Don Greig and Yolanda Plumley, based on an approach by the Orlando Consort designed for them by Samuel Rosenberg; guidelines on pronunciation from the introduction to Samuel Rosenberg, Margaret Switten and Gérard le Vot (eds.), <i>Songs of the Troubadours and Trouvères</i> (1990).*documents with an introduction to the project, repertory and the challenges and possibilities of a practice-led approach, created for the singers and song teams by Emma Dillon*for some songs, additional modern editions were provided, including more detailed critical commentaries; and copies of Hans Tischler’s comparative editions of trouvère melodies.<br>Emma Dillon, July 2024

本数据集为2024年2月19至21日于伦敦国王学院音乐系举办的首届MUSLIVE表演工作坊相关三项材料中的第三项，该工作坊于2024年2月22日以一场录音环节收尾，本次工作坊的主题为"奠基"。

本数据集包含2024年2月于伦敦国王学院（KCL）举办的首届MUSLIVE表演工作坊所依托的研究材料与研究方法样本。该材料由MUSLIVE项目首席研究员（PI）艾玛·狄龙（Emma Dillon）基于其对特罗威尔游唱诗人（trouvère）歌曲的研究设计而成。

本文件夹包含本次表演工作坊歌曲团队所用的指导手册与调查问卷样本，旨在帮助所有参与者建立规范化的基础实践范式，同时聚焦与特罗威尔游唱诗人歌曲创作及表演实践相关的研究议题。此外，本文件夹还包含本次工作坊学者所用的单首歌曲履历表（song CVs）样本，每份履历表均包含对应歌曲的来源考据、归属认定、格律形式与主题内容等详细信息。

该歌曲履历表由艾玛·狄龙在MUSLIVE项目启动前研发，并在工作坊筹备的数月间进行了优化与测试。其同时也是本项目歌曲数据库分类体系的原型，该数据库亦在本工作阶段同步开发中。上述材料已提前分发给工作坊全体参与者。

以下为本次提前分发但未纳入本数据集的补充材料：
* 由艾玛·狄龙、肖恩·柯兰、玛丽·富兰克林-布朗与约兰达·普拉姆利为演唱者录制的歌曲文本朗诵录音。
* 由唐·格雷格与约兰达·普拉姆利协助编制的"实用贴士"汇总表与发音指南，其方法论源自奥兰多古乐团（Orlando Consort）由塞缪尔·罗森伯格为其设计的教学方案；发音指南参考自塞缪尔·罗森伯格、玛格丽特·斯威滕与热拉尔·勒沃主编的《特罗巴杜尔与特罗威尔游唱诗人歌曲集》（*Songs of the Troubadours and Trouvères*，1990）一书的导论部分。
* 由艾玛·狄龙为演唱者与歌曲团队编制的项目介绍、曲目总览，以及实践导向研究方法的机遇与挑战相关文档。
* 针对部分歌曲，还提供了含更详尽考据性注释的现代改编乐谱，以及汉斯·蒂施勒（Hans Tischler）所编的特罗威尔游唱诗人旋律比较版乐谱副本。

艾玛·狄龙，2024年7月

搜集汇总

背景与挑战

背景概述

该数据集是MUSLIVE项目第一个表演工作坊'基础'主题的第三项内容，包含研究材料和方法论样本，旨在支持trouvère歌曲的表演实践研究。具体内容包括工作坊歌曲团队的指示和问卷样本，以及歌曲'CVs'（歌曲简历）样本，提供每首歌曲的详细背景信息，如来源、归属和主题内容。数据集覆盖1100-1300年的历史时期，地理范围涉及欧洲和东地中海，语言为英语和中世纪法语，用于促进音乐学、历史学和人类学交叉领域的研究。