EVERYTHING IS IMPORTANT

EVERYTHING IS IMPORTANT, August 2016_<br>EVERYTHING IS IMPORTANT premiered in Darmstadt, Germany on 2 August 2016 and explores the existential reality of reality of life in 2016: a world dominated by technology, incipient climate change and financial inequality. It investigates the insidious presence of the internet and the way in which it is embedded as a fundamental infrastructure of contemporary life, even though we do not fully understand what to do with it, how it works, or how the way that it works continually changes.<br><br>The work has developed out of Dr Walshe's research into ‘The New Discipline’ - a theory of compositional and performance practice that restores the role of composer as performer. The composer performs as vocalist in the work alongside the Arditti Quartet and the films that run throughout the 40-minute performance were also shot by her. <br><br>One of the most important ways in which the work manifests its insights into contemporary reality is through the text. The development of the score, which is mostly presented verbally, allows the members of the string quartet to have moments of highly controlled improvisation; this is turn enables the composer-performer to shape these moments from within the ensemble, rather than through a conventionally notated score that has to be executed perfectly.<br>

《万事皆重》（EVERYTHING IS IMPORTANT），2016年8月
该作品于2016年8月2日在德国达姆施塔特首演，旨在探讨2016年人类生存的本真境遇：一个被技术深度主导、初显气候变化端倪且贫富分化加剧的世界。作品审视了互联网的隐性渗透态势，及其作为当代生活基础架构融入社会的方式——即便我们尚未完全明晰该如何运用互联网、其运作原理，亦或是其运作机制持续演变的规律。

本作品源自沃尔什博士针对“新范式（The New Discipline）”的研究：这是一套围绕作曲与表演实践构建的理论，旨在重塑作曲家作为表演者的身份定位。在该作品中，作曲家以人声表演者的身份，与阿尔蒂蒂四重奏团（Arditti Quartet）联袂呈现；整场时长40分钟的演出中贯穿的影像内容，亦由其本人摄制。

该作品对当代现实的核心洞察，主要通过文本载体得以呈现。其乐谱大多以文字形式拟定，这为弦乐四重奏的演奏者预留了可高度管控的即兴发挥空间；这一设计进而使得作为表演者的作曲家能够从乐团内部主导这些即兴时刻，而非依赖必须精准执行的传统记谱乐谱。

搜集汇总

背景与挑战

背景概述

该数据集记录了音乐作品'EVERYTHING IS IMPORTANT'，由Jennifer Walshe创作并于2016年首演，作品通过弦乐四重奏、人声和电影元素探讨当代社会技术、气候和不平等议题。它体现了'新学科'理论，强调作曲家作为表演者的角色，并包含即兴创作部分，数据集适用于音乐作曲和表演研究领域。